1. The Long Absence (1961) directed by Henri Colpi • Reviews, film + cast
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Therese, a café owner, mourns the mysterious disappearance of her husband sixteen years earlier. A tramp arrives in the town and she believes him to be her husband. But he is suffering from amnesia and she tries to bring back his memory of earlier times.
2. The Long Absence - ICA | Institute of Contemporary Arts
Missing: (1961) impact
The Institute of Contemporary Arts (ICA) is London’s leading space for contemporary culture. We commission, produce and present new work in film, music, performance and the visual arts by today’s most progressive artists. In our landmark home on The Mall in central London, we invite artists and audiences to interrogate what it means to live in our world today, with a genre-fluid programme that challenges the past, questions the present and confronts the future.
3. Henri Colpi | Movies | The Guardian
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Obituary: Innovative film editor who pioneered the technique of 'flash-ins'.
4. THE LONG ABSENCE - NZ FILM SOCIETY
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DIRECTOR : Henri Colpi PRODUCERS : Alberto Barsanti, Claude Jaeger PRODUCTION CO : Procinex, Société Cinématographique Lyre, Galatea Film SCREENPLAY : Marguerite Duras, Gérard Jarlot EDITORS :...
5. HENRI COLPI - French New Wave Director
In 1960, Colpi began his parallel career as a director with Une aussi longue absence (The Long Absence), which won the Palme d'Or at Cannes in 1961. This poetic ...
HENRI COLPI was an accomplished editor whose innovative work on Alain Resnais’ Hiroshima Mon Amour and Last Year at Marienbad contributed greatly to their dramatic impact. He was also...
6. 10 Overlooked French New Wave Films That Are Worth Watching
Jan 17, 2015 · In an era of film where most were genre films used to shock and awe ... Une aussi longue absence aka The Long Absence (Henri Colpi, 1961).
In the 1960s, a large number of new, young directors in France started making films that offered a fresh perspective on existing techniques and attitudes ab
7. From film to book. Hiroshima in the 'Blanche ... - PampaType Font Foundry
Sep 8, 2024 · The same year, 1961, Henri Colpi's adaptation of this screenplay won the Palme d'Or at Cannes and the Prix Louis-Delluc. The similarity of the ...
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8. The Long Absence - Harvard Film Archive
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Henri Colpi was already a noticeable figure in editing, notably alongside Alain Resnais and, occasionally, Agnès Varda. He directed his first and most memorable feature film in 1961, which was based on a script co-written by Marguerite Duras and ...
9. THE LONG ABSENCE (Henri Colpi, 1960) - Dennis Grunes
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Delicate and exquisite, Une aussi longue absence, Henri Colpi’s first film as director (Colpi edited Alain Resnais’ Hiroshima, mon amour, 1959, and Last Year at Marienbad, 1961), is a dream of a fi…
10. Détruire, dit-elle - Sabzian.be
Mar 10, 2022 · ... Une aussi longue absence (1961). But the repetitive poetry of her novels and of those two films was missing in Destroy She Said. I 'taught ...
Elizabeth Alione is sinking into a deep melancholy when she drags down the corridors, the park and the dining room of a hotel. Originally intended as an English-language film under the title The Chaise-Longue, to be directed by Joseph Losey. It was an original screenplay by Duras by which Losey claimed to have been enthralled; however, he and Duras fell out over casting and the project was shelved. Duras eventually made the film herself, in French and after some rewriting. Losey called the final movie “a film I hate as much as I loved the original screenplay”.
11. Une aussi longue absence (1961) - SFdb - Svensk Filmdatabas
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The Swedish Film Institute has a duty to support production, distribution and screening of valuable film, to preserve and make accessible the Swedish film heritage and to represent Swedish film abroad.
12. The Long Absence - Films Fatale
Missing: Une aussi impact
Henri Colpi's The Long Absence is a touching look at the permanence of true love even in the face of that passion dissipating.
13. [PDF] The Cinema of Marguerite Duras: Sound and Voice in a Closed Room
Aug 26, 2013 · amour (1959) and Une aussi longue absence. (1961). But the repetitive poetry of her novels and of those two films was missing in Destroy. She ...
